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We then moved on to some basic quantum mechanics in order to explain why various pigments absorb and reflect different wavelengths. Investigating subtractive mixing by reflection. Day 11 was more or less a rehash of the second half of Day 10, but in more depth and with more contact points with the visual arts. We covered the following topics. Partitive mixing and pointillism in painting Seurat, Signac, and van Gogh. Three types of additive color mixing and its applications: Theory, Development and Technology. Theory, Development and Technology. Reflection and Refraction in pigments from Seeing the Light: On day 12 we continued to talk about subtractive mixing with filters. We saw a nice example of early film created using the two-color system, for which the camera had rapidly changing red and green filters. Creating partitive mixtures in the pointillist style Investigating and replicating the use of halftone in print      Students used magnifying glasses to look at newsprint and determined how the CMYK system is used for printing.

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